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Spirit Rapping?








From: The Highgrader

Farquhar and Captain Kilmeny left next day for another short hunting
trip. The captain had offered to give it up, but Moya had urged upon him
that it would not be fair to disappoint his companion. He had gone
reluctantly, because he saw that his fiancee was worried. His own
opinion was that his cousin Jack had disappeared for reasons of his own.

Colter did not relax in his search. But as the days passed hope almost
died within him. Jack had plenty of enemies, as an aggressive fighter in
a new country always must have. His friend's fear was that some of them
had decoyed Kilmeny to his death. The suspicions of the miner centered
upon Peale and Trefoyle, both because Jack had so recently had trouble
with them and because they knew beforehand of his intention to remove
the ore. But he could find no evidence upon which to base his feeling,
though he and Curly, in company with a deputy sheriff, had put the
Cornishmen through a grilling examination.

It had been understood that the young women should take a trip through
the Never Quit before they left Goldbanks, but for one reason or another
this had been postponed until after the captain and Farquhar had started
on their final hunting expedition. The second afternoon after their
departure was the one decided upon for the little adventure.

Verinder, with the extravagance that went hand in hand with an
occasional astonishing parsimony, had ordered oilskin suits and
waterproof boots made especially for his guests. A room was reserved for
the young ladies at the mine, equipped for this one occasion to serve as
a boudoir where they might dress in comfort.

The mine owner's guests donned, with a good deal of hilarious merriment,
the short skirts, the boots, and the rubber helmets. The costumes could
not have been called becoming, but they were eminently suited for the
wet damp tunnels of the Never Quit.

After they had entered the cage it was a little terrifying to be shot so
rapidly down into the blackness of the mine.

"Don't be afraid. It's quite safe," Bleyer told them cheerfully.

At the tenth level the elevator stopped and they emerged into an open
space.

"We're going to follow this drift," explained the superintendent.

They seated themselves in ore cars and were wheeled into a cavern
lighted at intervals by electric bulbs. Presently the cars slowed down
and the occupants descended.

"This way," ordered Bleyer.

They followed in single file into a hot, damp tunnel, which dripped
moisture in big drops from the roof upon a rough, uneven floor of stone
and dirt where pools of water had occasionally gathered. The darkness
increased as they moved forward, driven back by the candles of the men
for a space scarce farther than they could reach with outstretched
hands.

Moya, bringing up the rear, could hear Bleyer explain the workings to
those at his heel. He talked of stopes, drifts, tunnels, wage scales,
shifts, high-grade ore, and other subjects that were as Greek to Joyce
and India. The atmosphere was oppressively close and warm, and the
oilskins that Moya wore seemed to weigh heavily upon her. She became
aware with some annoyance at herself that a faintness was stealing over
her brain and a mistiness over her eyes. To steady herself she stopped,
catching at the rough wall for support. The others, unaware that she was
not following, moved on. With a half articulate little cry she sank to
the ground.

When she came to herself the lights had disappeared. She was alone in
the most profound darkness she had ever known. It seemed to press upon
her so ponderably as almost to be tangible. The girl was frightened. Her
imagination began to conjure all sorts of dangers. Of cave-ins and
explosions she had heard and read a good deal. Anything was possible in
this thousand-foot deep grave. In a frightened, ineffective little voice
she cried out to her friends.

Instantly there came an answer--a faint tapping on the wall almost at
her ear. She listened breathlessly, and caught again that faint far
tap--tap--tap--tap--tap--tap--tap. Instinctively her hand went out,
groping along the wall until it fell upon a pipe. Even as she touched
this the sound came again, and along with it the faintest of vibrations.
She knew that somebody at a distance was hitting the pipe with a piece
of quartz or metal.

Stooping, she found a bit of broken rock. Three times she tapped the
pipe. An answer came at once.

Tap--tap--tap--tap--tap--tap--tap!

She tried two knocks. Again the response of seven taps sounded. Four
blows brought still seven. Why always seven? She did not know, but she
was greatly comforted to know that her friends were in communication
with her. After all she was not alone.

A light glimmered at the end of the tunnel and moved slowly toward her.
Bleyer's voice called her name. Presently the whole party was about her
with sympathetic questions and explanations.

She made light of her fainting attack, but Verinder insisted on getting
her back to the upper air in spite of her protests. He had discovered
that Joyce was quite ready to return to the sunlight, now that her
curiosity was satisfied. A very little of anything that was unpleasant
went a long way with Miss Seldon, and there was something about this
underground tomb that reminded her strongly of an immense grave.

At dinner Verinder referred to the attack of vertigo. "Feel quite fit
again, Miss Dwight?"

"Quite, thank you." Moya was a little irritated at the reference,
because she was ashamed of having given way to physical weakness. "It
was nothing. I was a goose. That's all."

Bleyer, a guest for the evening, defended the young woman from her own
scorn. "It often takes people that way the first time, what with the
heat and the closeness. I once knew a champion pugilist to keel over
while he was going through a mine."

"Were you afraid when you found yourself alone?" Joyce asked.

"I was until you tapped."

India looked puzzled. "Tapped. What do you mean?"

"On the pipe."

"What pipe?"

"The one that ran through the tunnel."

Miss Kilmeny shook her head. "I didn't see anybody tap. Perhaps one of
us touched it by chance."

"No. That couldn't be. The tap came seven times together, and after I
had answered it seven times more."

"Seven times?" asked Bleyer quickly.

"Yes--seven. But, if you didn't tap, who did?"

"Sure it wasn't imagination?" Verinder suggested.

"Imagination! I tell you it was repeated again and again," Moya said
impatiently.

"Spirit rapping," surmised Joyce lightly. "It doesn't matter, anyhow,
since it served its work of comforting Moya."

"It might have been some of the workmen," Lady Farquhar guessed.

"Must have been," agreed Bleyer. "And yet--we're not working that end of
the mine now. The men had no business there. Odd that it was seven raps.
That is a call for help. It means danger."

A bell of warning began to toll in Moya's heart. It rang as yet no clear
message to her brain, but the premonition of something sinister and
deadly sent a sinking sensation through her.

Verinder sat up with renewed interest. "I say, you know--spirit rapping.
Weren't you telling me, Bleyer, that there was a big accident there some
years ago? Perhaps the ghosts of some of the lost miners were sending a
message to their wives. Eh, what?"

"The accident was in the Golden Nugget, an adjoining mine. The property
was pretty well worked out and has never been opened since the
disaster."

The color had ebbed from Moya's lips. She was a sane young woman not
given to nerves. But she had worried a great deal over the disappearance
of Jack Kilmeny. This, coming on top of it, shook her composure. For she
was fighting with the dread that the spirit of the man she loved had
been trying to talk with her.

Joyce chattered gayly. "How weird! Moya, you must write an account of
your experience for the Society for Psychical Research. Put me in it,
please."

"Of course, it must have been some of the men, but I don't see----"

Moya interrupted the superintendent sharply. An intuition, like a flash
of light, had illumined her brain. "Where does that pipe run, Mr.
Bleyer?"

"Don't know. Maps of the workings at the office would show."

"Will you please find out?"

"Glad to look it up for you, Miss Dwight. I'm a little curious myself."

"I mean now--at once."

He glanced at her in quick surprise. Was she asking him to leave the
dinner table to do it? Lady Farquhar saw how colorless Moya was and came
to the rescue.

"My dear, you are a little unstrung, aren't you?" she said gently. "I
think we might find something more cheerful to talk about. We always
have the weather."

Moya rose, trembling. "No. I know now who called for help. It was Jack
Kilmeny."

Verinder was the first to break the strained silence. "But that's
nonsense, you know."

"It's the truth. He was calling for help."

"Where from? What would he be doing down in a mine?"

"I don't know.... Yes, I do, too," Moya corrected herself, voice
breaking under the stress of her emotion. "He has been put down there to
die."

"To die." Joyce echoed the words in a frightened whisper.

Dobyans laughed. "This is absurd. Who under heaven would put him there?"

A second flash of light burned in upon the girl. "That man, Peale--and
the other ruffian. They knew about the shipment just as you did. They
waylaid him ... and buried him in some old mine." Moya faced them
tensely, a slim wraith of a girl with dark eyes that blazed. She had
forgotten all about conventions, all about what they would think of her.
The one thing she saw was Jack Kilmeny in peril, calling for help.

But Lady Farquhar remembered what Moya did not. It was her duty to
defend her charge against the errant impulses of the heart, to screen
them from the callous eyes of an unsympathetic world.

"You jump to conclusions, my dear. Sit down and we'll talk it over."

"No. He called for help. I'm going to take it to him."

Again Verinder laughed unpleasantly. Moya did not at that moment know
the man was in existence. One sure purpose flooded her whole being. She
was going to save her lover.

India wavered. She, too, had lost color. "But--you're only guessing,
dear."

"You'll find it's true. We must follow that pipe and rescue him.
To-night."

"Didn't know you were subject to nerve attacks, Miss Dwight," derided
Verinder uneasily.

Moya put her hands in front of her eyes as if to shut out the picture of
what she saw. "He's been there for five days ... starving, maybe." She
shuddered.

"You're only guessing, Miss Dwight. What facts have you to back it?"
Bleyer asked.

"We must start at once--this very hour." Moya had recovered herself and
spoke with quiet decision. "But first we must find where the pipe
leads."

Bleyer answered the appeal in Lady Farquhar's eyes by rising. He
believed it to be a piece of hysterical folly, just as she did. But some
instinct of chivalry in him responded to the call made upon him. He was
going, not to save Kilmeny from an imaginary death, but to protect the
girl that loved him from showing all the world where her heart was.

"I'll be back inside of an hour--just as soon as I can trace that pipe
for you, Miss Dwight," he said.

"After all, Moya may be right," India added, to back her friend.

"It's just possible," Bleyer conceded.





Next: The Acid Test

Previous: Colter Takes A Hand



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