John Craven's Method





Mr. John Craven could not be said to take his school-teaching seriously;

and indeed, any one looking at his face would hardly expect him to take

anything seriously, and certainly those who in his college days followed

and courted and kept pace with Jack Craven, and knew his smile, would

have expected from him anything other than seriousness. He appeared

to himself to be enacting a kind of grim comedy, exile as he was in a

foreign land, among people of a strange tongue.



He knew absolutely nothing of pedagogical method, and consequently he

ignored all rules and precedents in the teaching and conduct of the

school. His discipline was of a most fantastic kind. He had a feeling

that all lessons were a bore, therefore he would assign the shortest and

easiest of tasks. But having assigned the tasks, he expected perfection

in recitation, and impressed his pupils with the idea that nothing less

would pass. His ideas of order were of the loosest kind, and hence the

noise at times was such that even the older pupils found it unbearable;

but when the hour for recitation came, somehow a deathlike stillness

fell upon the school, and the unready shivered with dread apprehension.

And yet he never thrashed the boys; but his fear lay upon them, for his

eyes held the delinquent with such an intensity of magnetic, penetrating

power that the unhappy wretch felt as if any kind of calamity might

befall him.



When one looked at John Craven's face, it was the eyes that caught and

held the attention. They were black, without either gleam or glitter,

indeed almost dull--a lady once called them "smoky eyes." They looked,

under lazy, half-drooping lids, like things asleep, except in moments

of passion, when there appeared, far down, a glowing fire, red and

terrible. At such moments it seemed as if, looking through these, one

were catching sight of a soul ablaze. They were like the dull glow of a

furnace through an inky night.



He was constitutionally and habitually lazy, but in a reading lesson he

would rouse himself at times, and by his utterance of a single line

make the whole school sit erect. Friday afternoon he gave up to what he

called "the cultivation of the finer arts." On that afternoon he would

bring his violin and teach the children singing, hear them read and

recite, and read for them himself; and no greater punishment could be

imposed upon the school than the loss of this afternoon.



"Man alive! Thomas, he's mighty queer," Hughie explained to his friend.

"When he sits there with his feet on the stove smoking away and reading

something or other, and letting them all gabble like a lot of ducks,

it just makes me mad. But when he wakes up he puts the fear of death on

you, and when he reads he makes you shiver through and through. You know

that long rigmarole, 'Friends, Romans, countrymen'? I used to hate

it. Well, sir, he told us about it last Friday. You know, on Friday

afternoons we don't do any work, but just have songs and reading, and

that sort of thing. Well, sir, last Friday he told us about the big row

in Rome, and how Caesar was murdered, and then he read that thing to

us. By gimmini whack! it made me hot and cold. I could hardly keep from

yelling, and every one was white. And then he read that other thing, you

know, about Little Nell. Used to make me sick, but, my goodness alive!

do you know, before he got through the girls were wiping their eyes, and

I was almost as bad, and you could have heard a pin drop. He's mighty

queer, though, lazy as the mischief, and always smiling and smiling, and

yet you don't feel like smiling back."



"Do you like him?" asked Thomas, bluntly.



"Dunno. I'd like to, but he won't let you, somehow. Just smiles at you,

and you feel kind of small."



The reports about the master were conflicting and disquieting, and

although Hughie was himself doubtful, he stood up vehemently for him at

home.



"But, Hughie," protested the minister, discussing these reports, "I am

told that he actually smokes in school."



Hughie was silent.



"Answer me! Does he smoke in school hours?"



"Well," confessed Hughie, reluctantly, "he does sometimes, but only

after he gives us all our work to do."



"Smoke in school hours!" ejaculated Mrs. Murray, horrified.



"Well, what's the harm in that? Father smokes."



"But he doesn't smoke when he is preaching," said the mother.



"No, but he smokes right afterwards."



"But not in church."



"Well, perhaps not in church, but school's different. And anyway, he

makes them read better, and write better too," said Hughie, stoutly.



"Certainly," said his father, "he is a most remarkable man. A most

unusual man."



"What about your sums, Hughie?" asked his mother.



"Don't know. He doesn't bother much with that sort of thing, and I'm

just as glad."



"You ought really to speak to him about it," said Mrs. Murray, after

Hughie had left the room.



"Well, my dear," said the minister, smiling, "you heard what Hughie

said. It would be rather awkward for me to speak to him about smoking. I

think, perhaps, you had better do it."



"I am afraid," said his wife, with a slight laugh, "it would be just as

awkward for me. I wonder what those Friday afternoons of his mean," she

continued.



"I am sure I don't know, but everywhere throughout the section I hear

the children speak of them. We'll just drop in and see. I ought to visit

the school, you know, very soon."



And so they did. The master was surprised, and for a moment appeared

uncertain what to do. He offered to put the classes through their

regular lessons, but at once there was a noisy outcry against this on

the part of the school, which, however, was effectually and immediately

quelled by the quiet suggestion on the master's part that anything but

perfect order would be fatal to the programme. And upon the minister

requesting that the usual exercises proceed, the master smilingly

agreed.



"We make Friday afternoons," he said, "at once a kind of reward day for

good work during the week, and an opportunity for the cultivation of

some of the finer arts."



And certainly he was a master in this business. He had strong dramatic

instincts, and a remarkable power to stimulate and draw forth the

emotions.



When the programme of singing, recitations, and violin-playing was

finished, there were insistent calls on every side for "Mark Antony." It

appeared to be the 'piece de resistance' in the minds of the children.



"What does this mean?" inquired the minister, as the master stood

smiling at his pupils.



"Oh, they are demanding a little high tragedy," he said, "which I

sometimes give them. It assists in their reading lessons," he explained,

apologetically, and with that he gave them what Hughie called, "that

rigmarole beginning, 'Friends, Romans, countrymen,'" Mark Antony's

immortal oration.



"Well," said the minister, as they drove away from the school, "what do

you think of that, now?"



"Marvelous!" exclaimed his wife. "What dramatic power, what insight,

what interpretation!"



"You may say so," exclaimed her husband. "What an actor he would make!"



"Yes," said his wife, "or what a minister he would make! I understand,

now, his wonderful influence over Hughie, and I am afraid."



"O, he can't do Hughie any harm with things like that," replied her

husband, emphatically.



"No, but Hughie now and then repeats some of his sayings about--about

religion and religious convictions, that I don't like. And then he is

hanging about that Twentieth store altogether too much, and I fancied

I noticed something strange about him last Friday evening when he came

home so late."



"O, nonsense," said the minister. "His reputation has prejudiced you,

and that is not fair, and your imagination does the rest."



"Well, it is a great pity that he should not do something with himself,"

replied his wife. "There are great possibilities in that young man."



"He does not take himself seriously enough," said her husband. "That is

the chief trouble with him."



And this was apparently Jack Craven's opinion of himself, as is evident

from his letter to his college friend, Ned Maitland.





"Dear Ned:--



"For the last two months I have been seeking to adjust myself to my

surroundings, and find it no easy business. I have struck the land

of the Anakim, for the inhabitants are all of 'tremenjous' size, and

indeed, 'tremenjous' in all their ways, more particularly in their

religion. Religion is all over the place. You are liable to come upon a

boy anywhere perched on a fence corner with a New Testament in his hand,

and on Sunday the 'tremenjousness' of their religion is overwhelming.

Every other interest in life, as meat, drink, and dress, are purely

incidental to the main business of the day, which is the delivering,

hearing, and discussing of sermons.



"The padre, at whose house I am very happily quartered, is a

'tremenjous' preacher. He has visions, and gives them to me. He gives

me chills and thrills as well, and has discovered to me a conscience, a

portion of my anatomy that I had no suspicion of possessing.



"The congregation is like the preacher. They will sit for two hours,

and after a break of a few minutes they will sit again for two hours,

listening to sermons; and even the interval is somewhat evenly divided

between their bread and cheese in the churchyard and the discussion of

the sermon they have just listened to. They are great on theology. One

worthy old party tackled me on my views of the sermon we had just heard;

after a little preliminary sparring I went to my corner. I often wonder

in what continent I am.



"The school, a primitive little log affair, has much run to seed, but

offers opportunity for repose. I shall avoid any unnecessary excitement

in this connection.



"In private life the padre is really very decent. We have great smokes

together, and talks. On all subjects he has very decided opinions, and

in everything but religion, liberal views. I lure him into philosophic

discussions, and overwhelm him with my newest and biggest metaphysical

terms, which always reduce his enormous cocksureness to more reasonable

dimensions.



"The minister's wife is quite another proposition. She argues, too,

but unfortunately she asks questions, in the meekest way possible

acknowledging her ignorance of my big terms, and insisting upon

definitions and exact meanings, and then it's all over with me. How

she ever came to this far land, heaven knows, and none but heaven can

explain such waste. Having no kindred soul to talk with, I fancy she

enjoys conversation with myself, (sic) revels in music, is transported

to the fifth heaven by my performance on the violin, but evidently

pities me and regards me as dangerous. But, my dear Maitland, after

a somewhat wide and varied experience of fine ladies, I give you my

verdict that here among the Anakim, and in this wild, woody land, is

a lady fine and fair and saintly. She will bother me, I know. Her son

Hughie (he of the bear), of whom I told you, the lad with the face of

an angel and the temper of an angel, but of a different color--her son

Hughie she must make into a scholar. And no wonder, for already he has

attained a remarkable degree of excellence, by the grace, not of the

little log school, however, I venture to shy. His mother has been at

him. But now she feels that something more is needed, and for that

she turns to me. You will be able to see the humor of it, but not the

pathos. She wants to make a man out of her boy, 'a noble, pure-hearted

gentleman,' and this she lays upon me! Did I hear you laugh? Smile not,

it is the most tragic of pathos. Upon me, Jack Craven, the despair of

the professors, the terror of the watch, the--alas! you know only too

well. My tongue clave to the roof of my mouth, and before I could cry,

'Heaven forbid that I should have a hand in the making of your boy!'

she accepted my pledge to do her desire for her young angel with the

OTHER-angelic temper.



"And now, my dear Ned, is it for my sins that I am thus pursued? What

is awaiting me I know not. What I shall do with the young cub I have

not the ghostliest shadow of an idea. Shall I begin by thrashing him

soundly? I have refrained so far; I hate the role of executioner. Or

shall I teach him boxing? The gloves are a great educator, and are at

times what the padre would call 'means of grace.'



"But what will become of me? Shall I become prematurely aged, or shall I

become a saint? Expect anything from your most devoted, but most sorely

bored and perplexed,



"J. C."





Joan Runs Away John Gale's Hour facebooktwittergoogle_plusredditpinterestlinkedinmail

Feedback