Norlaminian Science

: Skylark Three

Breakfast over, Seaton watched intently as his tray, laden with empty

containers, floated away from him and disappeared into an opening in the

wall.



"How do you do it, Orlon?" he asked, curiously. "I can hardly believe

it, even after seeing it done."



"Each tray is carried upon the end of a beam or rod of force, and

supported rigidly by it. Since the beam is tuned to the individual wave

of the instrument you wear upon your chest, your tray is, of course,

placed in front of you, at a predetermined distance, as soon as the

sending force is actuated. When you have finished your meal, the beam is

shortened. Thus the tray is drawn back to the food laboratory, where

other forces cleanse and sterilize the various utensils and place them

in readiness for the next meal. It would be an easy matter to have this

same mechanism place your meals before you wherever you may go upon this

planet, provided only that a clear path can be plotted from the

laboratory to your person."



"Thanks, but it wouldn't pay. No telling where we'd be. Besides, we'd

better eat in the Skylark most of the time, to keep our cook

good-natured. Well, I see Rovol's got his boat here for me, so guess I'd

better turn up a few r. p. m. Coming along, Dot, or have you got

something else on your mind?"



"I'm going to leave you for a while. I can't really understand even a

radio, and just thinking about those funny, complicated rays and things

you are going after makes me dizzy in the head. Mrs. Orlon is going to

take us over to the Country of Youth--she says Margaret and I can play

around with her daughter and her bunch and have a good time while you

scientists are doing your stuff."



"All right. 'Bye till tonight," and Seaton stepped out into the grounds,

where the First of Rays was waiting.



The flier was a torpedo-shaped craft of some transparent, glassy

material, completely enclosed except for one circular opening or

doorway. From the midsection, which was about five feet in diameter and

provided with heavily-cushioned seats capable of carrying four

passengers in comfort, the hull tapered down smoothly to a needle point

at each end. As Seaton entered and settled himself into the cushions,

Rovol touched a lever. Instantly a transparent door slid across the

opening, locking itself into position flush with the surface of the

hull, and the flier darted into the air and away. For a few minutes

there was silence, as Seaton studied the terrain beneath them. Fields or

cities there were none; the land was covered with dense forests and vast

meadows, with here and there great buildings surrounded by gracious,

park-like areas. Rovol finally broke the silence.



"I understand your problem, I believe, since Orlon has transferred to me

all the thoughts he had from you. With the aid of the Rovolon you have

brought us, I am confident that we shall be able to work out a

satisfactory solution of the various problems involved. It will take us

some few minutes to traverse the distance to my laboratory, and if there

are any matters upon which your mind is not quite clear, I shall try to

clarify them."



"That's letting me down easy," Seaton grinned, "but you don't need to be

afraid of hurting my feelings--I know just exactly how ignorant and dumb

I am compared to you. There's a lot of things I don't get at all. First,

and nearest, this airboat. It has no power-plant at all. I assume that

it, like so many other things hereabouts, is riding on the end of a rod

of force?"



"Exactly. The beam is generated and maintained in my laboratory. All

that is here in the flier is a small sender, for remote control."



"How do you obtain your power?" asked Seaton. "Solar generators and tide

motors? I know that all your work is done by protelectricity, but Orlon

did not inform us as to the sources."



"We have not used such inefficient generators for many thousands of

years. Long ago it was shown by research that these rays were constantly

being generated in abundance in outer space, and that they could be

collected upon spherical condensers and transmitted without loss to the

surface of the planet by means of matched and synchronized crystals.

Several millions of these condensers have been built and thrown out to

become tiny satellites of Norlamin."



"How did you get them far enough out?"



"The first ones were forced out to the required distance upon beams of

force produced by the conversion of electricity, which was in turn

produced from turbines, solar motors, and tide motors. With a few of

them out, however, it was easy to obtain sufficient power to send out

more; and now, whenever one of us requires more power than he has at his

disposal, he merely sends out such additional collectors as he needs."



"Now about those fifth-order rays, which will penetrate a zone of force.

I am told that they are not ether waves at all?"



"They are not ether waves. The fourth order rays, of which the theory

has been completely worked out, are the shortest vibrations that can be

propagated through the ether; for the ether itself is not a continuous

medium. We do not know its nature exactly, but it is an actual

substance, and is composed of discrete particles of the fourth order.

Now the zone of force, which is itself a fourth-order phenomenon, sets

up a condition of stasis in the particles composing the ether. These

particles are relatively so coarse, that rays and particles of the fifth

order will pass through the fixed zone without retardation. Therefore,

if there is anything between the particles of the ether--this matter is

being debated hotly among us at the present time--it must be a

sub-ether, if I may use that term. We have never been able to

investigate any of these things experimentally, not even such a coarse

aggregation as is the ether; but now, having Rovolon, it will not be

many thousands of years until we shall have extended our knowledge many

orders farther, in both directions."



"Just how will Rovolon help you?"



"It will enable us to generate a force of the ninth magnitude--that much

power is necessary to set up what you have so aptly named a zone of

force--and will give us a source of fourth, fifth, and probably higher

orders of rays which, if they are generated in space at all, are beyond

our present reach. The zone of force is necessary to shield certain

items of equipment from ether vibrations; as any such vibration inside

the controlling fields of force renders observation or control of the

higher orders of rays impossible."



"Hm ... m, I see--I'm learning something," Seaton replied cordially.

"Just as the higher-powered a radio set is, the more perfect must be its

shielding?"



"Yes. Just as a trace of any gas will destroy the usefulness of your

most sensitive vacuum tubes, and just as imperfect shielding will allow

interfering waves to enter sensitive electrical apparatus--in that same

fashion will even the slightest ether vibration interfere with the

operation of the extremely sensitive fields and lenses of force which

must be used in controlling forces of the higher orders."



"You haven't tested the theory of the fourth order yet, have you?"



"No, but that is unnecessary. The theory of the fourth order is not

really theory at all--it is mathematical fact. Although we have never

been able to generate them, we know exactly the forces you use in your

ship of space, and we can tell you of some thousands of others more or

less similar and also highly useful forces which you have not yet

discovered, but are allowing to go to waste. We know exactly what they

are, how to liberate and control them, and how to use them. In fact, in

the work which we are to begin today, we shall use but little ordinary

power: almost all our work will be done by fourth-order forces,

liberated from copper by means of the Rovolon you have given me. But

here we are at my laboratory. You already know that the best way to

learn is by doing, and we shall begin at once."



* * * * *



The flier alighted upon a lawn quite similar to the one before the

observatory of Orlon, and the scientist led his Earthly guest through

the main entrance of the imposing structure of vari-colored marble and

gleaming metal and into the vast, glass-lined room that was his

laboratory. Great benches lined the walls, and there were hundreds of

dials, meters, tubes, transformers and other instruments, whose uses

Seaton could not even guess.



Rovol first donned a suit of transparent, flexible material, of a deep

golden color, instructing Seaton to do the same; explaining that much of

the work would be with dangerous frequencies and with high pressures,

and that the suits were not only absolute insulators against

electricity, heat, and sound, but were also ray-filters proof against

any harmful radiations. As each helmet was equipped with radiophones,

conversation was not interfered with in the least.



Rovol took up a tiny flash-pencil, and with it deftly cut off a bit of

Rovolon, almost microscopic in size. This he placed upon a great block

of burnished copper, and upon it played a force. As he manipulated two

levers, two more beams of force flattened out the particle of metal,

spread it out over the copper, and forced it into the surface of the

block until the thin coating was at every point in molecular contact

with the copper beneath it--a perfect job of plating, and one done in

the twinkling of an eye. He then cut out a piece of the treated copper

the size of a pea, and other forces rapidly built around it a structure

of coils and metallic tubes. This apparatus he suspended in the air at

the extremity of a small beam of force. The block of copper was next cut

in two, and Rovol's fingers moved rapidly over the keys of a machine

which resembled slightly an overgrown and exceedingly complicated

book-keeping machine. Streams and pencils of force flashed and crackled,

and Seaton saw raw materials transformed into a complete power-plant, in

its center the two-hundred-pound lump of plated copper, where an instant

before there had been only empty space upon the massive metal bench.

Rovol's hands moved rapidly from keys to dials and back, and suddenly a

zone of force, as large as a basketball appeared around the apparatus

poised in the air.



"But it'll fly off and we can't stop it with anything," Seaton

protested, and it did indeed dart rapidly upward.



The old man shook his head as he manipulated still more controls, and

Seaton gasped as nine stupendous beams of force hurled themselves upon

that brilliant spherical mirror of pure energy, seized it in mid-flight,

and shaped it resistlessly, under his bulging eyes, into a complex

geometrical figure of precisely the desired form.



Lurid violet light filled the room, and Seaton turned towards the bar.

That two-hundred-pound mass of copper was shrinking visibly, second by

second, so vast were the forces being drawn from it, and the searing,

blinding light would have been intolerable but for the protective

color-filters of his helmet. Tremendous flashes of lightning ripped and

tore from the relief-points of the bench to the ground-rods, which

flared at blue-white temperature under the incessant impacts. Knowing

that this corona-loss was but an infinitesimal fraction of the power

being used, Seaton's very mind staggered as he strove to understand the

magnitude of the forces at work upon that stubborn sphere of energy.



The aged scientist used no tools whatever, as we understand the term.

His laboratory was a power-house; at his command were the stupendous

forces of a battery of planetoid accumulators, and added to these were

the fourth-order, ninth-magnitude forces of the disintegrating copper

bar. Electricity, protelectricity, and fourth-order rays, under millions

upon millions of kilovolts of pressure, leaped to do the bidding of that

wonderful brain, stored with the accumulated knowledge of countless

thousands of years of scientific research. Watching the ancient

physicist work, Seaton compared himself to a schoolboy mixing chemicals

indiscriminately and ignorantly, with no knowledge whatever of their

properties, occasionally obtaining a reaction by pure chance. Whereas he

had worked with intra-atomic energy schoolboy fashion, the master

craftsman before him knew every reagent, every reaction, and worked with

known and thoroughly familiar agencies to bring about his exactly

predetermined ends--just as calmly certain of the results as Seaton

himself would have been in his own laboratory, mixing equivalent

quantities of solutions of barium chloride and of sulphuric acid to

obtain a precipitate of barium sulphate.




passage of time in his zeal of accomplishment, the while carefully

instructing Seaton, who watched every step with intense interest....]



Hour after hour Rovol labored on, oblivious to the passage of time in

his zeal of accomplishment, the while carefully instructing Seaton, who

watched every step with intense interest and did everything possible for

him to do. Bit by bit a towering structure arose in the middle of the

laboratory. A metal foundation supported a massive compound bearing,

which in turn carried a tubular network of latticed metal, mounted like

an immense telescope. Near the upper, outer end of this openwork tube a

group of nine forces held the field of force rigidly in place in its

axis; at the lower extremity were mounted seats for two operators and

the control panels necessary for the operation of the intricate system

of forces and motors which would actuate and control that gigantic

projector. Immense hour and declination circles could be read by optical

systems from the operators' seats--circles fully forty feet in diameter,

graduated with incredible delicacy and accuracy into decimal fractions

of seconds of arc, and each driven by variable-speed motors through

gear-trains and connections having no backlash whatever.



While Rovol was working upon one of the last instruments to be installed

upon the controlling panel a mellow note sounded throughout the

building, and he immediately ceased his labors and opened the

master-switches of his power plants.



"You have done well, youngster," he congratulated his helper, as he

began to take off his protective covering, "Without your aid I could not

have accomplished nearly this much during one period of labor. The

periods of exercise and of relaxation are at hand--let us return to the

house of Orlon, where we all shall gather to relax and to refresh

ourselves for the labors of tomorrow."



"But it's almost done!" protested Seaton. "Let's finish it up and shoot

a little juice through it, just to try it out."



"There speaks the rashness and impatience of youth," rejoined the

scientist, calmly removing the younger man's suit and leading him out to

the waiting airboat. "I read in your mind that you are often guilty of

laboring continuously until your brain loses its keen edge. Learn now,

once and for all, that such conduct is worse than foolish--it is

criminal. We have labored the full period. Laboring for more than that

length of time without recuperation results in a loss of power which,

if persisted in, wreaks permanent injury to the mind; and by it you gain

nothing. We have more than ample time to do that which must be done--the

fifth-order projector shall be completed before the warning torpedo

shall have reached the planet of the Fenachrone--therefore over-exertion

is unwarranted. As for testing, know now that only mechanisms built by

bunglers require testing. Properly built machines work properly."



"But I'd have liked to see it work just once, anyway," lamented Seaton

as the small airship tore through the air on its way back to the

observatory.



"You must cultivate calmness, my son, and the art of relaxation. With

those qualities your race can easily double its present span of useful

life. Physical exercise to maintain the bodily tissues at their best,

and mental relaxation following mental toil--these things are the

secrets of a long and productive life. Why attempt to do more than can

be accomplished efficiently? There is always tomorrow. I am more

interested in that which we are now building than you can possibly be,

since many generations of the Rovol have anticipated its construction;

yet I realize that in the interest of our welfare and for the progress

of civilization, today's labors must not be prolonged beyond today's

period of work. Furthermore, you yourself realize that there is no

optimum point at which any task may be interrupted. Short of final

completion of any project, one point is the same as any other. Had we

continued, we would have wished to continue still farther, and so on

without end."



"You're probably right, at that," the impetuous chemist conceded, as

their craft came to earth before the observatory.



* * * * *



Crane and Orlon were already in the common room, as were the scientists

Seaton already knew, as well as a group of women and children still

strangers to the Terrestrials. In a few minutes Orlon's companion, a

dignified, white-haired woman, entered; accompanied by Dorothy,

Margaret, and a laughing, boisterous group of men and women from the

Country of Youth. Introductions over, Seaton turned to Crane.



"How's every little thing, Mart?"



"Very well indeed. We are building an observatory in space--or rather,

Orlon is building it and I am doing what little I can to help him. In a

few days we shall be able to locate the system of the Fenachrone. How is

your work progressing?"



"Smoother than a kitten's ear. Got the fourth-order projector about

done. We're going to project a fourth-order force out to grab us some

dense material, a pretty close approach to pure neutronium. There's

nothing dense enough around here, even in the core of the central sun,

so we're going out to a white dwarf star--one a good deal like the

companion star to Sirius in Canis Major--get some material of the proper

density from its core, and convert our sender into a fifth-order

machine. Then we can really get busy--go places and do things."



"Neutronium? Pure mass?" queried Crane, "I have been under the

impression that it does not exist. Of what use can such a substance be

to you?"



"Can't get pure neutronium, of course--couldn't use it if we could. What

we need and are going to get is a material of about two and a half

million specific gravity. Got to have it for lenses and controls for the

fifth-order forces. Those rays go right through anything less dense

without measurable refraction. But I see Rovol's giving me a nasty look.

He's my boss on this job, and I imagine this kind of talk's barred

during the period of relaxation, as being work. That so, chief?"



"You know that it is barred, you incorrigible young cub!" answered

Rovol, with a smile.



"All right, boss; one more little infraction and I'll shut up like a

clam. I'd like to know what the girls have been doing."



"We've been having a wonderful time!" Dorothy declared. "We've been

designing fabrics and ornaments and jewels and things. Wait 'til you see

'em!"



"Fine! All right, Orlon, it's your party--what to do?"



"This is the time of exercise. We have many forms, most of which are

unfamiliar to you. You all swim, however, and as that is one of the best

of exercises, I suggest that we all swim."



"Lead us to it!" Seaton exclaimed, then his voice changed abruptly.

"Wait a minute--I don't know about our swimming in copper sulphate

solution."



"We swim in fresh water as often as in salt, and the pool is now filled

with distilled water."



The Terrestrials quickly donned their bathing suits and all went through

the observatory and down a winding path, bordered with the peculiarly

beautiful scarlet and green shrubbery, to the "pool"--an artificial lake

covering a hundred acres, its polished metal bottom and sides strikingly

decorated with jewels and glittering tiles in tasteful yet contrasting

inlaid designs. Any desired depth of water was available and plainly

marked, from the fenced-off shallows where the smallest children

splashed to the forty feet of liquid crystal which received the diver

who cared to try his skill from one of the many spring-boards, flying

rings, and catapults which rose high into the air a short distance away

from the entrance.



Orlon and the others of the older generation plunged into the water

without ado and struck out for the other shore, using a fast

double-overarm stroke. Swimming in a wide circle they came out upon the

apparatus and went through a series of methodical dives and gymnastic

performances. It was evident that they swam, as Orlon had intimated, for

exercise. To them, exercise was a necessary form of labor--labor which

they performed thoroughly and well--but nothing to call forth the

whole-souled enthusiasm they displayed in their chosen fields of mental

effort.



The visitors from the Country of Youth, however, locked arms and sprang

to surround the four Terrestrials, crying, "Let's do a group dive!"



"I don't believe that I can swim well enough to enjoy what's coming,"

whispered Margaret to Crane, and they slipped into the pool and turned

around to watch. Seaton and Dorothy, both strong swimmers, locked arms

and laughed as they were encircled by the green phalanx and swept out to

the end of a dock-like structure and upon a catapult.



* * * * *



"Hold tight, everybody!" someone yelled, and interlaced, straining arms

and legs held the green and white bodies in one motionless group as a

gigantic force hurled them fifty feet into the air and out over the

deepest part of the pool. There was a mighty splash and a miniature

tidal wave as that mass of humanity struck the water. Many feet they

went down before the cordon was broken and the individual units came to

the surface. Then pandemonium reigned. Vigorous informal games, having

to do with floating and sinking balls and effigies: pushball, in which

the players never seemed to know, or to care, upon which side they were

playing; water-fights and ducking contests.... A green mermaid, having

felt the incredible power of Seaton's arms as he tossed her lightly away

from a goal he was temporarily defending, put both her small hands

around his biceps wonderingly, amazed at a strength unknown and

impossible upon her world; then playfully tried to push him under.

Failing, she called for help.



"He's needed a good ducking for ages!" Dorothy cried, and she and

several other girls threw themselves upon him. Over and around him the

lithe forms flashed, while the rest of the young people splashed water

impartially over all the combatants and cheered them on. In the midst of

the battle the signal sounded to end the period of exercise.



"Saved by the bell," Seaton laughed as, thoroughly ducked and almost

half drowned, he was allowed to swim ashore.



When all had returned to the common room of the observatory and had

seated themselves, Orlon took out his miniature ray-projector, no larger

than a fountain pen, and flashed it briefly upon one of the hundreds of

button-like lenses upon the wall. Instantly each chair converted itself

into a form-fitting divan, inviting complete repose.



"I believe that you of Earth would perhaps enjoy some of our music

during this, the period of relaxation and repose--it is so different

from your own," Orlon remarked, as he again manipulated his tiny

force-tube.



* * * * *



Every light was extinguished and there was felt a profoundly deep

vibration--a note so low as to be palpable rather than audible; and

simultaneously the utter darkness was relieved by a tinge of red so dark

as to be barely perceptible, while a peculiar somber fragrance pervaded

the atmosphere. The music rapidly ran the gamut to the limit of

audibility and, in the same tempo, the lights traversed the visible

spectrum and disappeared. Then came a crashing chord and a vivid flare

of blended light; ushering in an indescribable symphony of sound and

color, accompanied by a slower succession of shifting, blending odors.



The quality of tone was now that of a gigantic orchestra, now that of a

full brass band, now that of a single unknown instrument--as though the

composer had had at his command every overtone capable of being produced

by any possible instrument, and with them had woven a veritable tapestry

of melody upon an incredibly complex loom of sound. As went the harmony,

so the play of light accompanied it. Neither music nor illumination came

from any apparent source; they simply pervaded the entire room. When the

music was fast--and certain passages were of a rapidity impossible for

any human fingers to attain--the lights flashed in vivid, tiny pencils,

intersecting each other in sharply drawn, brilliant figures, which

changed with dizzying speed; when the tempo was slow, the beams were

soft and broad, blending into each other to form sinuous, indefinite,

writhing patterns, whose very vagueness was infinitely soothing.



"What do you think of it, Mrs. Seaton?" Orlon asked.



"Marvelous!" breathed Dorothy, awed. "I never imagined anything like it.

I can't begin to tell you how much I like it. I never dreamed of such

absolute perfection of execution, and the way the lighting accompanies

the theme is just too perfectly wonderful for words! It was incredibly

brilliant."



"Brilliant--yes. Perfectly executed--yes. But I notice that you say

nothing of depth of feeling or of emotional appeal." Dorothy blushed

uncomfortably and started to say something, but Orlon silenced her and

continued: "You need not apologize. I had a reason for speaking as I

did, for in you I recognize a real musician, and our music is indeed

entirely soulless. That is the result of our ancient civilization. We

are so old that our music is purely intellectual, entirely mechanical,

instead of emotional. It is perfect, but, like most of our other arts,

it is almost completely without feeling."



"But your statues are wonderful!"



"As I told you, those statues were made myriads of years ago. At that

time we also had real music, but, unlike statuary, music at that time

could not be preserved for posterity. That is another thing you have

given us. Attend!"



At one end of the room, as upon a three-dimensional screen, the four

Terrestrials saw themselves seated in the control-room of the Skylark.

They saw and heard Margaret take up her guitar, and strike four sonorous

chords in "A." Then, as if they had been there in person, they heard

themselves sing "The Bull-Frog" and all the other songs they had sung,

far off in space. They heard Margaret suggest that Dorothy play some

"real music," and heard Seaton's comments upon the quartette.



"In that, youngster, you were entirely wrong," said Orlon, stopping the

reproduction for a moment. "The entire planet was listening to you very

attentively--we were enjoying it as no music has been enjoyed for

thousands of years."



"The whole planet!" gasped Margaret. "Were you broadcasting it? How

could you?"



"Easy," grinned Seaton. "They can do most anything with these rays of

theirs."



"When you have time, in some period of labor, we would appreciate it

very much if you four would sing for us again, would give us more of

your vast store of youthful music, for we can now preserve it exactly as

it is sung. But much as we enjoyed the quartette, Mrs. Seaton, it was

your work upon the violin that took us by storm. Beginning with

tomorrow, my companion intends to have you spend as many periods as you

will, playing for our records. We shall now have your music."



"If you like it so well, wouldn't you rather I'd play you something I

hadn't played before?"



"That is labor. We could not...."



"Piffle!" Dorothy interrupted. "Don't you see that I could really play

right now, with somebody to listen, who really enjoys music; whereas, if

I tried to play in front of a record, I'd be perfectly mechanical?"



"'At-a-girl, Dot! I'll get your fiddle."



"Keep your seat, son," instructed Orlon, as the case containing the

Stradivarius appeared before Dorothy, borne by a pencil of force. "While

that temperament is incomprehensible to every one of us, it is

undoubtedly true that the artistic mind does work in that manner. We

listen."



Dorothy swept into "The Melody in F," and as the poignantly beautiful

strains poured forth from that wonderful violin, she knew that she had

her audience with her. Though so intellectual that they themselves were

incapable of producing music of real depth of feeling, they could

understand and could enjoy such music with an appreciation impossible to

a people of lesser mental attainments; and their profound enjoyment of

her playing, burned into her mind by the telepathic, almost hypnotic

power of the Norlaminian mentality, raised her to heights of power she

had never before attained. Playing as one inspired, she went through one

tremendous solo after another--holding her listeners spellbound, urged

on by their intense feeling to carry them further and ever further into

the realm of pure emotional harmony. The bell which ordinarily signaled

the end of the period of relaxation did not sound; for the first time in

thousands of years the planet of Norlamin deserted its rigid schedule of

life--to listen to one Earth-woman, pouring out her very soul upon her

incomparable violin.



The final note of "Memories" died away in a diminuendo wail, and the

musician almost collapsed into Seaton's arms. The profound silence, more

impressive far than any possible applause, was soon broken by Dorothy.



"There--I'm all right now, Dick. I was about out of control for a

minute. I wish they could have had that on a recorder--I'll never be

able to play like that again if I live to be a thousand years old."



"It is on record, daughter. Every note and every inflection is

preserved, precisely as you played it," Orlon assured her. "That is our

only excuse for allowing you to continue as you did, almost to the point

of exhaustion. While we cannot really understand an artistic mind of the

peculiar type to which yours belongs, yet we realized that each time you

play you are doing something that no one, not even yourself, can ever do

again in precisely the same subtle fashion. Therefore we allowed, in

fact encouraged, you to go on as long as that creative impulse should

endure--not merely for our pleasure in hearing it, great though that

pleasure was, but in the hope that our workers in music could, by a

careful analysis of your product, determine quantitatively the exact

vibrations or overtones which make the difference between emotional and

intellectual music."



More

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