In The Cabin

: The Gold Girl

For a long time after the departure of her visitors, Patty Sinclair

sat thinking. Was it true, all this man had told her? She remembered

vividly the beautiful tribute he had paid her father and the emotion

that had gripped him as he finished. Surely his words rang true. They

were true, or else the man was a consummate actor as well as an

unscrupulous knave. She recalled the boyish smile, the story of Lord

Clendenning's
terrible journey, and the impatience with which he had

silenced the Englishman's self-criticism. What would be more natural

than that two men thrown together in the middle of the hill country,

as her father and Bethune had been thrown together, should have pooled

their interests, especially if each possessed an essential that the

other did not. There had been somehow a sincerity about the man that

carried conviction. She liked his ready admission that her father's

knowledge of mining greatly exceeded his own. And the assertion that

he had advanced sums of money for the carrying on of the work sounded

plausible enough, for the girl knew that her father's income had been

small--pitiably small, but enough, he had always insisted, for his

meager needs. Unquestionably, up to that point the man's words had

carried the ring of truth. Then came the false notes; the open

accusation of Vil Holland, and the warning as to the concealment of

the map and photos which she had twice purposely refused to admit that

she possessed. This was the second time he had gone out of his way to

warn her against Vil Holland. On occasion of their previous meeting,

he had hinted that Holland might pose as a friend of her father--a

pose Bethune, himself, boldly assumed. Perhaps Vil Holland had been a

friend of her father. In the matter of the pack sack, to whom would a

man intrust his belongings, if not to a friend? Surely not to an

enemy, nor to one he had reason to suspect. And now Bethune openly

accused him of cutting the pack sack, and intimated that he would not

hesitate to rob her of her secret.



For a long time she sat with her elbow on the table and her chin

resting in her palm, staring out at the overshadowing hills. "If there

was only somebody," she muttered. "Somebody I could--" Suddenly she

leaped to her feet. "No, I'm glad there isn't! I'll play the game

alone! I came out here to do it, and I'll do it, in spite of forty Vil

Hollands, and Bethunes, and Lord Clendennings! I'll find the mine

myself--and I'll call it a mine, too, if I want to! And then, after I

find it, if Mr. Monk Bethune can show me that he is entitled to a

share in it, I'll give it to him--and not before. I'll stay right here

till I find it, or till my money gives out, and when it does, I'll

earn some more and come back again till that's gone!" Crossing the

room, she stamped determinedly out the door, threw the saddle onto her

cayuse, and rode rapidly down the creek. Horseback riding always

exhilarated her, even back home where she had been obliged to keep to

roads, or the well-worn courses of the hunt club. But here in the

hills where the very air was a tonic that sent the blood coursing

through her veins, and where tier after tier, the mighty mountains

rolled away into the distance, as if flaunting a challenge to come and

explore their secrets, and unscarred valleys gave glimpses of alluring

vistas, the exhilaration amounted almost to intoxication. As her

horse's feet thudded the ground, and splashed in and out of the

shallows of the creek, she laughed aloud for the very joy of living.

She pulled her horse to a walk as she skirted the fence of Watts's

upper pasture, and her eyes rested with approval upon the straightened

posts and taut wire. "At last Mr. Watts has bestirred himself. I hope

he will keep on, now, that he's got the habit, and fix up the rest of

the ranch. I wonder why that Vil Holland disapproved when he mentioned

that he had leased his pasture. It seems as though nothing can happen

in this country unless Vil Holland is mixed up in it someway. And, now

I'm down this far, I'll just find out whether Vil Holland did take

that pack down here for daddy. And if he did I'll let him know mighty

quick, the next time I see him, that I know all about it's being cut

open."



With her tubs on a bench, and the baby propped and tied securely in an

old wooden rocker, Ma Watts was up to her elbows in her "week's

worsh." Watts sat in his accustomed place, his chair tilted against

the shady side of the house. "Laws sakes, ef hit hain't Mr. Sinclair's

darter!" cried the woman, shaking the suds from her bare arms, "How be

yo', honey? An' how's the sheep camp? Microby Dandeline tellen us how

yo'-all scrubbed, an' scraped, an' cleaned 'til hit shined like a

nigger's heel. Hit's nice to be clean, that-a-way ef yo' got time, but

with five er six young-uns to take keer of, an' a passel of chickens

a-runnin' in under foot all day, seems like a body cain't keep clean

nohow. Microby says how yo' got a rale curtin' in yo' winder, an' all

kinds of pert doin' an' fixin's. That's hit, git right down off yer

horse. Land! I wus so busy hearin' 'bout yo' fixin' up the sheep camp,

thet I plumb fergot my manners. Watts, get a cheer! An' 'pears like

yo' could say 'Howdy' when anyone comes a visitin'."



"I aimed to," mumbled Watts apologetically, as he dragged a chair from

the kitchen, "I wus jest a-aidgin' 'round fer a chanct."



"I can't stay but a minute, see, the shadows are already half way

across the valley. I just thought I'd take a little ride before

supper."



"Law, yes, some folks likes to ride hossback, but fer me, I'd a heap

ruther go in a jolt wagon. Beats all the dif'fence in folks. Seems

like the folks out yere jist take to hit nachel. Yo' be'n huntin' yo'

pa's location yet?"



"No, I've been getting things in shape around the cabin. I'm going to

start prospecting to-morrow." She glanced back along the valley, "I

suppose my father came along this way when he left his pack on his way

East," she said.



"No, mom," Watts rubbed his chin, reflectively. "Hit wus Vil Holland

brung in his pack. Seems like yo' pa wus in a right smart of a hurry

when he left, so Vil taken his pack down yere an' me an' the boys put

hit in the barn fer to keep hit saft. Then Vil he rud on down the

crick, hell bent fer 'lection----"



"Watts! Hain't yo' shamed a-cussin'?" cried his scandalized spouse.



"Why was he in such a hurry?" asked the girl.



"I dunno. He jes' turned the mewl loost an' says to keep the pack till

yo' pa come back, an' larruped off."



Patty rose from the chair and gathered up her bridle reins. "I must be

going, really. You see, I've got my chores to do, and supper to get,

and I want to go to bed early so I'll be fresh in the morning." She

mounted, and turned to Ma Watts: "Can't you come up some day and bring

the children? I'd love to have you. Let's arrange the day now, so I

will be sure to be home."



"Lawzie, I'd give a purty! Listen at thet, now, Watts. Cain't we fix

to go?"



Watts fumbled his beard: "Why, yas, I reckon, some day, mebbe."



"What day can you come?" asked Patty.



"Well, le's see, this yere's about a Tuesday." He paused, glanced up

at the sky, and gave careful scrutiny to the horizon. "How'd Sunday a

week suit yo'--ef hit don't rain?"



"Fine," agreed the girl, smiling. "And, by the way, I came down past

the upper pasture. The fence looks grand. It didn't take long to fix

it, did it?"



"Well, hit tuk quite a spell--all day yeste'day, an' up 'til noon

to-day. We only got one side an' halft another done, an' they's two

sides an' a halft yet. But Mr. Bethune came by this noon, him an'

Lord, an' 'lowed he worn't in no gret hurry fer hit, causen he heerd

from Schultz thet the hoss business 'ud haf to wait over a spell----"



"An' Lord, he come down an' boughten a lot of aigs offen me. Him an'

Mr. Bethune is both got manners."



"Women folks likes 'em better'n what men does, seems like," opined

Watts, reflectively.



"Why don't men like them?" asked the girl eagerly.



"I dunno. Seems like they jes' nachelly mistrust 'em someways."



"Did my father like him--Mr. Bethune?"



"'Cordin' to Mr. Bethune they wus gret buddies, but when I'd run

acrost yo' pa in the hills, 'pears like he wus allus alone er elsen

Vil Holland was along. But, Mr. Bethune claims he set a heap by yo'

pa, like the time he come an' 'lowed to take away his pack. I wouldn't

let hit go, 'cause thet hain't the way Vil said, an' Mr. Bethune, he

started in to git mad, but then he laffed, an' said hit didn't make no

diff'ence, 'cause all he wanted wus to be shore hit wus saft kep."



"An' Pa mos' hed to shoot him, though, 'fore he laffed. I done tol' Pa

he hadn't ort to. Lessen yo' runnin' a still, yo' hain't no call to

shoot folks comin' 'round."



"Shoot him!" exclaimed Patty, staring in surprise at the easy-going

Watts.



"Yas, he aimed to take thet pack anyways. So I went in an' got down

the ol' rifle-gun an' pintedly tole him I'd shoot him dead ef he laid

holt o' thet pack, an' then he laffed an' rud off."



"But, would you have shot him, really?"



"Yas," answered the mountaineer, in a matter-of-fact tone, "I'd of hed

to."



Patty rode home slowly and in silence--thinking. And that evening, by

the light of her coal-oil lamp she puzzled over the roughly sketched

map with its cryptic signs and notations. There were a half-dozen

samples, too--chips of rough, heavy rock that didn't look a bit like

gold. "High grade," her daddy had called them as he babbled

incessantly upon his death-bed. But they looked dull and unpromising

to the girl as they lay upon the table. She returned to the sketch.

With the exception of a single small dot, placed beside what was

evidently the principal creek of the locality, the map consisted only

of lines and shadings which evidently indicated creeks and

mountains--no cross, no letter, no number--nothing to indicate

landmark or location, only a confusing network of creeks and feeders

branching out like the limbs of a tree. Along the bottom of the paper

the girl read the following line:



"SC 1 S1 1/2 E 1 S [up arrow] to [union symbol] 2 W to a. to b. stake L.C.

[zigzag symbol] centre."



"I suppose that was all clear as daylight to daddy, and maybe it would

be to anyone who is used to maps, but as for doing me any good, he

might as well have copied a line from the Chinese dictionary."



She stared hopelessly at the unintelligible line, and then at the two

photographs. One, taken evidently from a point well up the side of a

hill, showed a narrow valley, flanked upon the opposite side by a high

rock wall. Toward the upper end of the wall an irregular crack or

cleft split it from top to bottom. The other was a "close up" taken at

the very base of the cleft, and showed only the narrow aperture in the

rock, and the ground at its base. For a long time she sat studying the

photographs, memorizing every feature and line of them; the

conformation of the valley, the contour of the rock wall, the position

and shapes of the trees and rock fragments. "That must be the mine,"

she concluded, at length, "right there at the bottom of that crack."

She closed her eyes and conjured a mental picture of the little

valley, of the rock wall, and of the cleft that would mark the

location. "I'd know it if I should see it," she muttered, "let's see:

big broken rocks strewn along the floor of the valley, and a tiny

creek, and then the rock cliff, it must be about as high as--about

twice as tall as the trees that grow along the foot of it, and it's

highest at the upper end, then there's a big tree standing alone

almost in the middle of the valley, and the gnarled, scraggly trees

that grow along the top of the rocks, and the valley must be as wide

as from here to that clump of trees beyond my wood-pile--about a

block, I guess. And there's the big crack in the cliff that starts

straight," she traced the course of the crack with her finger upon the

table top, "and then zigzags to the ground." Her glance returned to

the map, and she frowned. "I don't think that's a bit of good to me.

But I don't care as long as I have the photographs. I'll just ride,

and ride, and ride through these hills till I find that valley, and

then--" The little clock on the shelf beside the mirror ticked loudly.

Her thoughts strayed far beyond the confines of the little cabin on

Monte's Creek, as she planned how she would spend the golden stream

that was to flow from the foot of the rock ledge.



Gradually her vision became confused, the incessant ticking of the

little clock sounded farther, and farther away, her head settled to

rest upon her folded arms, and she was in the midst of a struggle of

some kind, in which a belted cowboy and a suave, sloe-eyed

quarter-breed were fighting to gain possession of her mine--or, were

they trying to help her locate it? And what was it daddy was trying to

tell her? She couldn't quite hear. She wished he would talk

louder--but it was something about the mine, and the men who were

struggling.... She awoke with a start, and glanced swiftly about the

cabin. The roots of her hair along the back of her neck tingled

uncomfortably. She felt she was not alone--that somewhere eyes were

watching her. The chintz curtain that screened the open window swayed

lightly in the night breeze and she jumped nervously. "I'm a perfect

fool!" she exclaimed, aloud: "As if any 'Jack the Peeper' would be

prowling around these mountains! It's just nerves, that's all it is."



Slipping the map and the photographs beneath a plate, she crossed to

the door and made sure the bar was in place, took the white butted

revolver from its holster, and with a determined tightening of the

lips, stepped to the window, drew the curtain aside, and stood peering

out into the dark. The only sounds were the ticking of the clock, and

the purling of the water as it rushed among the stones of the shallow

ford. Overhead the stars winked brightly, in sharp contrast to the

velvet blackness of the pines. The sound of the water soothed her, and

she laughed--a forced little laugh, but it made her feel better.

Crossing to the table she blew out the lamp and, placing her revolver

at the head of her bunk, undressed in the darkness. She raised the

plate, took the map and the two precious photographs, placed them in

their envelope, and slipped the chain about her neck.



For a long time she lay between her blankets, wide awake, conscious

that she was straining her ears to catch some faint sound. A half

dozen times she caught herself listening with nerves on edge and

muscles taut, and each time forced herself to relax. But always she

came back to that horrible, tense listening. She charged herself with

cowardice, and pooh-poohed her fears, but it was no use, and she wound

up by covering her head with her blanket. "I don't care, there was

somebody watching, but if he thinks he's going to find out where I

keep these," her hand clutched the little oiled packet, "he'll have to

come again, that's all."



It was nearly an hour later that Monk Bethune quitted his post close

against the cabin wall, at the point where the chinking had fallen

away from the logs, and slipped silently into the timber.



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