town of weird and picturesque buildings, with more saloons than seemed to

be needed in view of the noticeable lack of citizens. They would have

shuddered at the dust-windrowed street, the litter of refuse, the dismal

lonesomeness, the forlornness, the utter isolation, the desolation. Those

friends would have failed to note the vast, silent reaches of green-brown

plain that stretched and yawned into aching distances; the wonderfully

blue and cloudless sky that covered it; they would have overlooked the

timber groves that spread here and there over the face of the land, with

their lure of mystery. No thoughts of the bigness of this country would

have crept in upon them--except as they might have been reminded of the

dreary distance from the glitter and the tinsel of the East. The

mountains, distant and shining, would have meant nothing to them; the

strong, pungent aroma of the sage might have nauseated them.



But Miss Benham had caught her first glimpse of Manti and the surrounding

country from a window of her berth in the car that morning just at dawn,

and she loved it. She had lain for some time cuddled up in her bed,

watching the sun rise over the distant mountains, and the breath of the

sage, sweeping into the half-opened window, had carried with it something

stronger--the lure of a virgin country.



Aunt Agatha Benham, chaperon, forty--maiden lady from choice--various

uncharitable persons hinted humorously of pursued eligibles--found

Rosalind gazing ecstatically out of the berth window when she stirred and

awoke shortly after nine. Agatha climbed out of her berth and sat on its

edge, yawning sleepily.



"This is Manti, I suppose," she said acridly, shoving the curtain aside

and looking out of the window. "We should consider ourselves fortunate not

to have had an adventure with Indians or outlaws. We have that to be

thankful for, at least."



Agatha's sarcasm failed to penetrate the armor of Rosalind's unconcern--as

Agatha's sarcasms always did. Agatha occupied a place in Rosalind's

affections, but not in her scheme of enjoyment. Since she must be

chaperoned, Agatha was acceptable to her. But that did not mean that she

made a confidante of Agatha. For Agatha was looking at the world through

the eyes of Forty, and the vision of Twenty is somewhat more romantic.



"Whatever your father thought of in permitting you to come out here is a

mystery to me," pursued Agatha severely, as she fussed with her hair. "It

was like him, though, to go to all this trouble--for me--merely to satisfy

your curiosity about the country. I presume we shall be returning

shortly."



"Don't be impatient, Aunty," said the girl, still gazing out of the

window. "I intend to stretch my legs before I return."



"Mercy!" gasped Agatha; "such language! This barbaric country has affected

you already, my dear. Legs!" She summoned horror into her expression, but

it was lost on Rosalind, who still gazed out of the window. Indeed, from a

certain light in the girl's eyes it might be adduced that she took some

delight in shocking Agatha.



"I shall stay here quite some time, I think," said Rosalind. "Daddy said

there was no hurry; that he might come out here in a month, himself. And I

have been dying to get away from the petty conventionalities of the East.

I am going to be absolutely human for a while, Aunty. I am going to 'rough

it'--that is, as much as one can rough it when one is domiciled in a

private car. I am going to get a horse and have a look at the country. And

Aunty--" here the girl's voice came chokingly, as though some deep emotion

agitated her "--I am going to ride 'straddle'!"



She did not look to see whether Agatha had survived this second shock--but

Agatha had survived many such shocks. It was only when, after a silence of

several minutes, Agatha spoke again, that the girl seemed to remember

there was anybody in the compartment with her. Agatha's voice was laden

with contempt:



"Well, I don't know what you see in this outlandish place to compensate

for what you miss at home."



The girl did not look around. "A man on a black horse, Aunty," she said.

"He has passed here twice. I have never seen such a horse. I don't

remember to have ever seen a man quite like the rider. He looks

positively--er--heroish! He is built like a Roman gladiator, he rides

the black horse as though he had been sculptured on it, and his head has a

set that makes one feel he has a mind of his own. He has furnished me with

the only thrill that I have felt since we left New York!"



"He hasn't seen you!" said Agatha, coldly; "of course you made sure of

that?"



The girl looked mischievously at the older woman. She ran her fingers

through her hair--brown and vigorous-looking--then shaded her eyes with

her hands and gazed at her reflection in a mirror near by. In deshabille

she looked fresh and bewitching. She had looked like a radiant goddess to

"Brand" Trevison, when he had accidentally caught a glimpse of her face at

the window while she had been watching him. He had not known that the lady

had just awakened from her beauty sleep. He would have sworn that she

needed no beauty sleep. And he had deliberately ridden past the car again,

hoping to get another glimpse of her. The girl smiled.



"I am not so positive about that, Aunty. Let us not be prudish. If he saw

me, he made no sign, and therefore he is a gentleman." She looked out of

the window and smiled again. "There he is now, Aunty!"



It was Agatha who parted the curtains, this time. The horseman's face was

toward the window, and he saw her. An expression of puzzled astonishment

glowed in his eyes, superseded quickly by disappointment, whereat Rosalind

giggled softly and hid her tousled head in a pillow.



"The impertinent brute! Rosalind, he dared to look directly at me, and I

am sure he would have winked at me in another instant! A gentleman!" she

said, coldly.



"Don't be severe, Aunty. I'm sure he is a gentleman, for all his

curiosity. See--there he is, riding away without so much as looking

back!"



Half an hour later the two women entered the dining-room just as a big,

rather heavy-featured, but handsome man, came through the opposite door.

He greeted both ladies effusively, and smilingly looked at his watch.



"You over-slept this morning, ladies--don't you think? It's after ten.

I've been rummaging around town, getting acquainted. It's rather an

unfinished place, after the East. But in time--" He made a gesture,

perhaps a silent prophecy that one day Manti would out-strip New York, and

bowed the ladies to seats at table, talking while the colored waiter moved

obsequiously about them.



"I thought at first that your father was over-enthusiastic about Manti,

Miss Benham," he continued. "But the more I see of it the firmer becomes

my conviction that your father was right. There are tremendous

possibilities for growth. Even now it is a rather fertile country. We

shall make it hum, once the railroad and the dam are completed. It is a

logical site for a town--there is no other within a hundred miles in any

direction."



"And you are to anticipate the town's growth--isn't that it, Mr.

Corrigan?"



"You put it very comprehensively, Miss Benham; but perhaps it would be

better to say that I am the advance agent of prosperity--that sounds

rather less mercenary. We must not allow the impression to get abroad that

mere money is to be the motive power behind our efforts."



"But money-making is the real motive, after all?" said Miss Benham,

dryly.



"I submit there are several driving forces in life, and that money-making

is not the least compelling of them."



"The other forces?" It seemed to Corrigan that Miss Benham's face was very

serious. But Agatha, who knew Rosalind better than Corrigan knew her, was

aware that the girl was merely demurely sarcastic.



"Love and hatred are next," he said, slowly.



"You would place money-making before love?" Rosalind bantered.



"Money adds the proper flavor to love," laughed Corrigan. The laugh was

laden with subtle significance and he looked straight at the girl, a deep

fire slumbering in his eyes. "Yes," he said slowly, "money-making is a

great passion. I have it. But I can hate, and love. And when I do either,

it will be strongly. And then--"



Agatha cleared her throat impatiently. Corrigan colored slightly, and Miss

Benham smothered something, artfully directing the conversation into less

personal channels:



"You are going to build manufactories, organize banks, build municipal

power-houses, speculate in real estate, and such things, I suppose?"



"And build a dam. We already have a bank here, Miss Benham."



"Will father be interested in those things?"



"Silently. You understand, that being president of the railroad, your

father must keep in the background. The actual promoting of these

enterprises will be done by me."



Miss Benham looked dreamily out of the window. Then she turned to Corrigan

and gazed at him meditatively, though the expression in her eyes was so

obviously impersonal that it chilled any amorous emotion that Corrigan

might have felt.



"I suppose you are right," she said. "It must be thrilling to feel a

conscious power over the destiny of a community, to direct its progress,

to manage it, and--er--figuratively to grab industries by their--" She

looked slyly at Agatha "--lower extremities and shake the dollars out of

them. Yes," she added, with a wistful glance through the window; "that

must be more exciting than being merely in love."



Agatha again followed Rosalind's gaze and saw the black horse standing in

front of a store. She frowned, and observed stiffly:



"It seems to me that the people in these small places--such as Manti--are

not capable of managing the large enterprises that Mr. Corrigan speaks

of." She looked at Rosalind, and the girl knew that she was deprecating

the rider of the black horse. Rosalind smiled sweetly.



"Oh, I am sure there must be some intelligent persons among them!"



"As a rule," stated Corrigan, dogmatically, "the first citizens of any

town are an uncouth and worthless set."



"The Four Hundred would take exception to that!" laughed Rosalind.



Corrigan laughed with her. "You know what I mean, of course. Take Manti,

for instance. Or any new western town. The lowest elements of society are

represented; most of the people are very ignorant and criminal."



The girl looked sharply at Corrigan, though he was not aware of the

glance. Was there a secret understanding between Corrigan and Agatha? Had

Corrigan also some knowledge of the rider's pilgrimages past the car

window? Both had maligned the rider. But the girl had seen intelligence on

the face of the rider, and something in the set of his head had told her

that he was not a criminal. And despite his picturesque rigging, and the

atmosphere of the great waste places that seemed to envelop him, he had

made a deeper impression on her than had Corrigan, darkly handsome,

well-groomed, a polished product of polite convention and breeding, whom

her father wanted her to marry.



"Well," she said, looking at the black horse; "I intend to observe Manti's

citizens more closely before attempting to express an opinion."



Half an hour later, in response to Corrigan's invitation, Rosalind was

walking down Manti's one street, Corrigan beside her. Corrigan had donned

khaki clothing, a broad, felt hat, boots, neckerchief. But in spite of the

change of garments there was a poise, an atmosphere about him, that hinted

strongly of the graces of civilization. Rosalind felt a flash of pride in

him. He was big, masterful, fascinating.



Manti seemed to be fraudulent, farcical, upon closer inspection. For one

thing, its crudeness was more glaring, and its unpainted board fronts

looked flimsy, transient. Compared to the substantial buildings of the

East, Manti's structures were hovels. Here was the primitive town in the

first flush of its creation. Miss Benham did not laugh, for a mental

picture rose before her--a bit of wild New England coast, a lowering sky,

a group of Old-world pilgrims shivering around a blazing fire in the open,

a ship in the offing. That also was a band of first citizens; that picture

and the one made by Manti typified the spirit of America.



There were perhaps twenty buildings. Corrigan took her into several of

them. But, she noted, he did not take her into the store in front of which

was the black horse. She was introduced to several of the proprietors.

Twice she overheard parts of the conversation carried on between Corrigan

and the proprietors. In each case the conversation was the same:



"Do you own this property?"



"The building."



"Who owns the land?"



"A company in New York."



Corrigan introduced himself as the manager of the company, and spoke of

erecting an office. The two men spoke about their "leases." The latter

seemed to have been limited to two months.



"See me before your lease expires," she heard Corrigan tell the men.



"Does the railroad own the town site?" asked Rosalind as they emerged from

the last store.



"Yes. And leases are going to be more valuable presently."



"You don't mean that you are going to extort money from them--after they

have gone to the expense of erecting buildings?"



His smile was pleasant. "They will be treated with the utmost

consideration, Miss Benham."



He ushered her into the bank. Like the other buildings, the bank was of

frame construction. Its only resemblance to a bank was in the huge safe

that stood in the rear of the room, and a heavy wire netting behind which

ran a counter. Some chairs and a desk were behind the counter, and at the

desk sat a man of probably forty, who got up at the entrance of his

visitors and approached them, grinning and holding out a hand to

Corrigan.



"So you're here at last, Jeff," he said. "I saw the car on the switch this

morning. The show will open pretty soon now, eh?" He looked inquiringly at

Rosalind, and Corrigan presented her. She heard the man's name, "Mr.

Crofton Braman," softly spoken by her escort, and she acknowledged the

introduction formally and walked to the door, where she stood looking out

into the street.



Braman repelled her--she did not know why. A certain crafty gleam of his

eyes, perhaps, strangely blended with a bold intentness as he had looked

at her; a too effusive manner; a smoothly ingratiating smile--these

evidences of character somehow made her link him with schemes and plots.



She did not reflect long over Braman. Across the street she saw the rider

of the black horse standing beside the animal at a hitching rail in front

of the store that Corrigan had passed without entering. Viewed from this

distance, the rider's face was more distinct, and she saw that he was

good-looking--quite as good-looking as Corrigan, though of a different

type. Standing, he did not seem to be so tall as Corrigan, nor was he

quite so bulky. But he was lithe and powerful, and in his movements, as he

unhitched the black horse, threw the reins over its head and patted its

neck, was an ease and grace that made Rosalind's eyes sparkle with

admiration.



The rider seemed to be in no hurry to mount his horse. The girl was

certain that twice as he patted the animal's neck he stole glances at her,

and a stain appeared in her cheeks, for she remembered the car window.



And then she heard a voice greet the rider. A man came out of the door of

one of the saloons, glanced at the rider and raised his voice, joyously:



"Well, if it ain't ol' 'Brand'! Where in hell you been keepin' yourself? I

ain't seen you for a week!"



Friendship was speaking here, and the girl's heart leaped in sympathy. She

watched with a smile as the other man reached the rider's side and wrung

his hand warmly. Such effusiveness would have been thought hypocritical in

the East; humanness was always frowned upon. But what pleased the girl

most was this evidence that the rider was well liked. Additional evidence

on this point collected quickly. It came from several doors, in the shapes

of other men who had heard the first man's shout, and presently the rider

was surrounded by many friends.



The girl was deeply interested. She forgot Braman, Corrigan--forgot that

she was standing in the doorway of the bank. She was seeing humanity

stripped of conventionalities; these people were not governed by the

intimidating regard for public opinion that so effectively stifled warm

impulses among the persons she knew.



She heard another man call to him, and she found herself saying: "'Brand'!

What an odd name!" But it seemed to fit him; he was of a type that one

sees rarely--clean, big, athletic, virile, magnetic. His personality

dominated the group; upon him interest centered heavily. Nor did his

popularity appear to destroy his poise or make him self-conscious. The

girl watched closely for signs of that. Had he shown the slightest trace

of self-worship she would have lost interest in him. He appeared to be a

trifle embarrassed, and that made him doubly attractive to her. He

bantered gayly with the men, and several times his replies to some quip

convulsed the others.



And then while she dreamily watched him, she heard several voices insist

that he "show Nigger off." He demurred, and when they again insisted, he

spoke lowly to them, and she felt their concentrated gaze upon her. She

knew that he had declined to "show Nigger off" because of her presence.

"Nigger," she guessed, was his horse. She secretly hoped he would overcome

his prejudice, for she loved the big black, and was certain that any

performance he participated in would be well worth seeing. So, in order to

influence the rider she turned her back, pretending not to be interested.

But when she heard exclamations of satisfaction from the group of men she

wheeled again, to see that the rider had mounted and was sitting in the

saddle, grinning at a man who had produced a harmonica and was rubbing it

on a sleeve of his shirt, preparatory to placing it to his lips.



The rider had gone too far now to back out, and Rosalind watched him in

frank curiosity. And in the next instant, when the strains of the

harmonica smote the still morning air, Nigger began to prance.



What followed reminded the girl of a scene in the ring of a circus. The

horse, proud, dignified, began to pace slowly to the time of the

accompanying music, executing difficult steps that must have tried the

patience of both animal and trainer during the teaching period; the rider,

lithe, alert, proud also, smiling his pleasure.



Rosalind stood there long, watching. It was a clever exhibition, and she

found herself wondering about the rider. Had he always lived in the West?



The animal performed a dozen feats of the circus arena, and the girl was

so deeply interested in him that she did not observe Corrigan when he

emerged from the bank, stepped down into the street and stood watching the

rider. She noticed him though, when the black, forced to her side of the

street through the necessity of executing a turn, passed close to the

easterner. And then, with something of a shock, she saw Corrigan smiling

derisively. At the sound of applause from the group on the opposite side

of the street, Corrigan's derision became a sneer. Miss Benham felt

resentment; a slight color stained her cheeks. For she could not

understand why Corrigan should show displeasure over this clean and clever

amusement. She was looking full at Corrigan when he turned and caught her

gaze. The light in his eyes was positively venomous.



"It is a rather dramatic bid for your interest, isn't it, Miss Benham?" he

said.



His voice came during a lull that followed the applause. It reached

Rosalind, full and resonant. It carried to the rider of the black horse,

and glancing sidelong at him, Rosalind saw his face whiten under the deep

tan upon it. It carried, too, to the other side of the street, and the

girl saw faces grow suddenly tense; noted the stiffening of bodies. The

flat, ominous silence that followed was unreal and oppressive. Out of it

came the rider's voice as he urged the black to a point within three or

four paces of Corrigan and sat in the saddle, looking at him. And now for

the first time Rosalind had a clear, full view of the rider's face and a

quiver of trepidation ran over her. For the lean jaws were corded, the

mouth was firm and set--she knew his teeth were clenched; it was the face

of a man who would not be trifled with. His chin was shoved forward

slightly; somehow it helped to express the cold humor that shone in his

narrowed, steady eyes. His voice, when he spoke to Corrigan, had a

metallic quality that rang ominously in the silence that had continued:



"Back up your play or take it back," he said slowly.



Corrigan had not changed his position. He stared fixedly at the rider; his

only sign of emotion over the latter's words was a quickening of the eyes.

He idly tapped with his fingers on the sleeve of his khaki shirt, where

the arm passed under them to fold over the other. His voice easily matched

the rider's in its quality of quietness:



"My conversation was private. You are interfering without cause."



Watching the rider, filled with a sudden, breathless premonition of

impending tragedy, Rosalind saw his eyes glitter with the imminence of

physical action. Distressed, stirred by an impulse to avert what

threatened, she took a step forward, speaking rapidly to Corrigan:



"Mr. Corrigan, this is positively silly! You know you were hardly

discreet!"



Corrigan smiled coldly, and the girl knew that it was not a question of

right or wrong between the two men, but a conflict of spirit. She did not

know that hatred had been born here; that instinctively each knew the

other for a foe, and that this present clash was to be merely one battle

of the war that would be waged between them if both survived.



Not for an instant did Corrigan's eyes wander from those of the rider. He

saw from them that he might expect no further words. None came. The

rider's right hand fell to the butt of the pistol that swung low on his

right hip. Simultaneously, Corrigan's hand dropped to his hip pocket.



Rosalind saw the black horse lunge forward as though propelled by a sudden

spring. A dust cloud rose from his hoofs, and Corrigan was lost in it.

When the dust swirled away, Corrigan was disclosed to the girl's view,

doubled queerly on the ground, face down. The black horse had struck him

with its shoulder--he seemed to be badly hurt.



For a moment the girl stood, swaying, looking around appealingly, startled

wonder, dismay and horror in her eyes. It had happened so quickly that she

was stunned. She had but one conscious emotion--thankfulness that neither

man had used his pistol.



No one moved. The girl thought some of them might have come to Corrigan's

assistance. She did not know that the ethics forbade interference, that a

fight was between the fighters until one acknowledged defeat.



Corrigan's face was in the dust; he had not moved. The black horse stood,

quietly now, several feet distant, and presently the rider dismounted,

walked to Corrigan and turned him over. He worked the fallen man's arms

and legs, and moved his neck, then knelt and listened at his chest. He got

up and smiled mirthlessly at the girl.



"He's just knocked out, Miss Benham. It's nothing serious. Nigger--"



"You coward!" she interrupted, her voice thick with passion.



His lips whitened, but he smiled faintly.



"Nigger--" he began again.



"Coward! Coward!" she repeated, standing rigid before him, her hands

clenched, her lips stiff with scorn.



He smiled resignedly and turned away. She stood watching him, hating him,

hurling mental anathemas after him, until she saw him pass through the

doorway of the bank. Then she turned to see Corrigan just getting up.



Not a man in the group across the street had moved. They, too, had watched

Trevison go into the bank, and now their glances shifted to the girl and

Corrigan. Their sympathies, she saw plainly, were with Trevison; several

of them smiled as the easterner got to his feet.



Corrigan was pale and breathless, but he smiled at her and held her off

when she essayed to help him brush the dust from his clothing. He did that

himself, and mopped his face with a handkerchief.



"It wasn't fair," whispered the girl, sympathetically. "I almost wish that

you had killed him!" she added, vindictively.



"My, what a fire-eater!" he said with a broad smile. She thought he looked

handsomer with the dust upon him, than he had ever seemed when polished

and immaculate.



"Are you badly hurt?" she asked, with a concern that made him look quickly

at her.



He laughed and patted her arm lightly. "Not a bit hurt," he said. "Come,

those men are staring."



He escorted her to the step of the private car, and lingered a moment

there to make his apology for his part in the trouble. He told her

frankly, that he was to blame, knowing that Trevison's action in riding

him down would more than outweigh any resentment she might feel over his

mistake in bringing about the clash in her presence.



She graciously forgave him, and a little later she entered the car alone;

he telling her that he would be in presently, after he returned from the

station where he intended to send a telegram. She gave him a smile,

standing on the platform of the car, dazzling, eloquent with promise. It

made his heart leap with exultation, and as he went his way toward the

station he voiced a sentiment:



"Entirely worth being ridden down for."



But his jaws set savagely as he approached the station. He did not go into

the station, but around the outside wall of it, passing between it and

another building and coming at last to the front of the bank building. He

had noted that the black horse was still standing in front of the bank

building, and that the group of men had dispersed. The street was

deserted.



Corrigan's movements became quick and sinister. He drew a heavy revolver

out of a hip pocket, shoved its butt partly up his sleeve and concealed

the cylinder and barrel in the palm of his hand. Then he stepped into the

door of the bank. He saw Trevison standing at one of the grated windows of

the wire netting, talking with Braman. Corrigan had taken several steps

into the room before Trevison heard him, and then Trevison turned, to find

himself looking into the gaping muzzle of Corrigan's pistol.



"You didn't run," said the latter. "Thought it was all over, I suppose.

Well, it isn't." He was grinning coldly, and was now deliberate and

unexcited, though two crimson spots glowed in his cheeks, betraying the

presence of passion.



"Don't reach for that gun!" he warned Trevison. "I'll blow a hole through

you if you wriggle a finger!" Watching Trevison, he spoke to Braman: "You

got a back room here?"



The banker stepped around the end of the counter and opened a door behind

the wire netting. "Right here," he directed.



Corrigan indicated the door with a jerking movement of the head. "Move!"

he said shortly, to Trevison. The latter's lips parted in a cold, amused

grin, and he hesitated slightly, yielding presently.



An instant later the three were standing in the middle of a large room,

empty except for a cot upon which Braman slept, some clothing hanging on

the walls, a bench and a chair. Corrigan ordered the banker to clear the

room. When that had been done, Corrigan spoke again to the banker:



"Get his gun."



A snapping alertness of the eyes indicated that Trevison knew what was

coming. That was the reason he had been so quiescent this far; it was why

he made no objection when Braman passed his hands over his clothing in

search of other weapons, after his pistol had been lifted from its holster

by the banker.



"Now get out of here and lock the doors!" ordered Corrigan. "And let

nobody come in!"



Braman retired, grinning expectantly.



Then Corrigan backed away until he came to the wall. Reaching far up, he

hung his revolver on a nail.



"Now," he said to Trevison, his voice throaty from passion; "take off your

damned foolish trappings. I'm going to knock hell out of you!"